By Paul Berry
Primary files, unique manuscripts, music-analytic comparability, and kinesthetic parameters skilled within the act of functionality all paintings in tandem to aid ten case reviews within the interaction among Brahms's small-scale works and the ladies and males who encountered them sooner than book. critical characters contain violinist Joseph Joachim, singers Amalie Joachim, Julius Stockhausen, and Agathe von Siebold, composers Heinrich and Elisabeth von Herzogenberg, and pianists Emma Engelmann and Clara Schumann. For those musicians and for the composer himself, Brahms's allusive tune served a wide number of emotional wishes and interpersonal ends. but throughout various repertoire and interdisciplinary correlates starting from ethnography to psychoanalysis, every one case examine furthers a unmarried, underlying objective: to reconstruct the at the same time established views of traditionally positioned brokers and fix forgotten beneficial properties in their communicative landscapes as bases for either musical and historic scrutiny.
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Brahms Among Friends: Listening, Performance, and the Rhetoric of Allusion (AMS Studies in Music) by Paul Berry