Download e-book for iPad: Brahms Among Friends: Listening, Performance, and the by Paul Berry

By Paul Berry

Brahms between associates identifies styles of listening, functionality, and composition between shut associates of Johannes Brahms and explores how these styles knowledgeable the construction and reception of his track within the intimate genres of tune, sonata, trio, and piano miniature. one of the tangled threads of counterpoint and condition that sure Brahms to his friends used to be the means of allusive musical borrowing, wherein a quick passage from a well-recognized paintings used to be drawn into the material of a brand new composition. For the categorical listeners whose conduct of brain and musicianship he knew top, allusive borrowings may turn into rhetorically charged gestures, persuasively revising the meanings his tune conveyed and the interpretive concepts it invited.

Primary files, unique manuscripts, music-analytic comparability, and kinesthetic parameters skilled within the act of functionality all paintings in tandem to aid ten case reviews within the interaction among Brahms's small-scale works and the ladies and males who encountered them sooner than book. critical characters contain violinist Joseph Joachim, singers Amalie Joachim, Julius Stockhausen, and Agathe von Siebold, composers Heinrich and Elisabeth von Herzogenberg, and pianists Emma Engelmann and Clara Schumann. For those musicians and for the composer himself, Brahms's allusive tune served a wide number of emotional wishes and interpersonal ends. but throughout various repertoire and interdisciplinary correlates starting from ethnography to psychoanalysis, every one case examine furthers a unmarried, underlying objective: to reconstruct the at the same time established views of traditionally positioned brokers and fix forgotten beneficial properties in their communicative landscapes as bases for either musical and historic scrutiny.

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Brahms Among Friends: Listening, Performance, and the Rhetoric of Allusion (AMS Studies in Music) by Paul Berry

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